Die initiation gay comic
If you&#;re a fan of the slasher movies of the 70s and 80s like Black Christmas and The Slumber Party Massacre, or their post-modern dark comedy incarnations like Scream, you&#;ll likely appreciate the edgy, contemporary social media fueled spin that filmmaker John Berardo puts on the subgenre with his gripping and gruesome debut feature Initiation. As a kid growing up in Norman, Oklahoma, Berardo first encountered Scream on VHS and was both terrified and entranced by the movie, convincing his grandmother to buy him a reproduce of the film so he could rewatch it to the point that he knew it verbatim.
After graduating from UCLA and USC, that obsession eventually led him to making the chilling horror short Dembanger in —coinciding with the filmmaker coming out—and ultimately spawned Initiation. With his movie, Berardo twists the slasher picture conventions, playing with our exceptions, to explore the issue of sexual assault on a college campus, examining who is protected and who is believed, while delivering a gory thrill ride, with some stunning visual flourishes, a commi
In my previous HAH John post, I didn&#;t mean to imply at the end of that post that John and Crazy weren&#;t friendly in the years leading up to their first Comic Con trip. Indeed, their friendship was inevitable, given their shared interest in comics and shared interest in skipping out on their work to loiter for hours at Montoni&#;s.
It seems their nauseatingly geeky discussions occurred often enough that many Montoni&#;s patrons would rather remain outside than destroy their meal listening to it.
But deciding to go to San Diego Comic-Con together? That is taking the partnership to the next level. Whatever their intimacy was before, after this trip these two men will have showered in the similar shower and used the same toilet, (Hopefully not at the same time.) I&#;ve gone on many a convention vacation with my galpals, and each new adventure was a new chance to see a roommate&#;s underwear.
HAH Describes the crowd he expects as it if were some kind of Borg hivemind made up of disgusting pony-tailed weirdos.
But before they brave the crowds, first HAH John and Insane H
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Class Comics “The Pack”, Issue One
&#;The Pack&#; #1 is written by Robert Fraser (The Initiation, Beautiful Dead, The Bromance) and breathtakingly illustrated by Class Comics illustrator , Nathan Sero. Using traditional illustration along with hand-painting water-color techniques in tandem with Photoshop coloring, Sero’s art is simply enchanting.
Class Comics is a publisher which issues several series of gay erotic comic books of high quality art, captivating characters, and exciting stories. Owned and operated by Canadian illustrator Patrick Fillion and author Robert Fraser, Class Comics has been publishing their erotic comic books since In addition to the publishing of their hold titles, the company has expanded their comic and art book collections to the French and German audiences through the European publishers Bruno Gmunder and H&O Editions.
Class Comics&#; website is located at:
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Comic Books Have Always Been Gay
As Slate noted earlier this week, both DC and Marvel comics, the two major superhero publishers, have announced new storylines featuring gay content. DC has revealed that Verdant Lantern Alan Scott will be reintroduced as lgbtq+ in a comic coming out next week. Marvel’s going even gayer than that, and giving the uncloseted-since Northstar a homosexual wedding.
According to the companies, and of course, conservative groups, this is a significant step — forward or backward, depending on your politics. But the truth is, comic books have been gay from the genre’s inception. Here for example:
Or here:
These panels are from Wonder Girl comics released in , the first year of her publication. They’re written by William Marston and illustrated by the gloriously named Harry Peter. And they feature Wonder Woman’s sorority girl sidekick, Etta Candy.
No doubt all of you looking at those images can spot what’s gay. But there’s also no doubt that many of you probably reflect that the sexual innuendo is unintentional.
The more you learn about Marston,